November 23, 2017

Lynn Lilly with Blackout Productions and Lilly White Events

Lynn Lilly

Lynn Lilly

Lynn Lilly is the founder of Blackout Productions and Lilly White Events. She started Blackout Productions about 1 1/2 years ago with the goal of changing the landscape of events in Atlanta by focusing on innovative event marketing, production and design that closely aligns with clients’ objectives and target demographics. These have been created to be distinct, buzz generating, “must attend” events that people don’t want to miss and will talk about the next day, with an emphasis on the restaurant industry and nightlife. Her clients have include Three Olives Vodka, Whiskey Park, and Straits, with event participation into the thousands.

About 4 months ago, she created Lilly White Events to address an under met demand for similar services for the private event market – events for corporate, bridal and non-profit organizations. These are events with a greater need for planning than promotions, but for both companies, the focus remains on client centered services and showing results.

In this interview, Lynn discusses her experience getting “butts in seats” for her diverse client list with each having a different target audience. Listen to the entire interview below.

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Blackout’s clients include restaurants, clubs, boutiques, and alcohol brands whereas Lilly White’s clients are mostly corporate (real estate agents, doctors, lawyers), non-profits and bridal. This is a wide-ranging base that has an equally diverse target audience varying from women interested in high end fashion (Jedal Italian Fashion in Phipps Plaza) to nightclub goers (W Hotel’s Whiskey Park in Midtown Atlanta) to brides.

These audiences require individualized promotions, although the tools used are fairly consistent.


To entice these audiences, Lynn creates cutting edge, innovative events unlike anything people have seen in Atlanta, creating must attend events. With both Blackout Productions and Lilly White Events, she emphasizes that she will take the headache out of having an event while providing metrics to prove success. This has built a reputation for her that has led to a referral-based sales channel.


Promoting to these audiences is not just an issue of getting people to show up, but reaching the audience that matches the client’s desired demographic. Someone attending an upscale event for high end fashion that can’t spend $1,000 on shoes is not a successful attendee. This is a tough challenge and Lynn uses a multi-pronged strategy.

The Personal Touch

Skyy Infusion Event

Skyy Infusion Event

In some cases, to make sure that the right people show up for events, Lynn takes a very active personal approach. For example, when Skyy Vodka Pineapple Infusion launched, they wanted to reach influencers at bars and restaurants so she sent personal invites to owners, managers and bartenders to make sure they showed up. In some cases, she visited businesses to deliver the invitation personally. It’s all part of understanding your audience and making the connection that most influences them.


When she first started, Lynn’s initial efforts focused on handing out flyers to reach her audience. Now that she has a strong reputation and an impressive database of contacts, this practice has tapered off.


Social media is one of the principle ways Lynn promotes and when a client hires Blackout Productions, they aren’t just getting a great event, but access to Lynn’s sphere of influence. Facebook is a great tool for this. Lynn will help build out a client’s Facebook presence to promote their event while encouraging her contacts to become Fans. This has lasting value beyond the event, providing the client with a receptive audience for future messages. Additionally, Lynn encourages attendees to look at pictures from the event on the client’s Facebook page and tag themselves… of course, the ability to tag photos requires users to become a Fan first. All of these tags propagate to news feeds that help to further promote the client even after the event.

She has used paid ads on Facebook when trying to reach a very targeted demographic. Most relevant are ads for bridal events through Lilly White Events to reach women in Atlanta that have a relationship status of “engaged.”


Lilly White Events cake

Lilly White Events cake

Lynn promotes events on Twitter through her personal account as well as Blackout Productions and Lilly White Events. The viral nature of re-tweets can not only get feet in the door, but increase the client’s number of Followers.

Local Search

Lynn describes herself as being hard to sell to, but she was convinced to subscribe to Citysearch’s service.  It was a terrible experience:

  • Delays in Getting profile setup. Blackout Productions had to rely on Citysearch to put their content online, so they submitted all of their information (photos, video, copy, etc) a week prior to their first month of service, but the information was still not right 2 weeks into the month (wrong logo, no content or wrong content, etc.).
  • Budget overages. Of course, Citysearch was still charging them for traffic even though the information was wrong or incomplete, but instead of the agreed upon budget of $25/day, they were being charged $50/day.
  • Lack of communication. Lynn was sold, in part, by the sales person’s description of Citysearch’s excellent customer service. However, she was given inaccurate information about where to send content (leading to some of the delays) and phone calls and emails went unanswered. All of this led to a battle for a refund from Citysearch.

The sales person was very good at selling, but the responsiveness, customer support, and effectiveness they had been promised was a huge disappointment. Lynn canceled their subscription and has no plans to use Citysearch again. Her experience with local search left such a bad impression that when Yelp called a few weeks later, she immediately said “not interested.” She would recommend social marketing to her clients 100x over before recommending local search like Citysearch.

Google Ads

Lynn has considered using Google Ads, but hasn’t had time to investigate in detail. She has heard good things about it, though.

Email Campaigns

Lynn uses her contact database to email event announcements to relevant demographics. Similar to her efforts in social media, she encourages new subscribers to also register with the clients’ newsletters – providing residual value that lasts well beyond any single event.

Blogs and Online Publications

Blackout Productions has had great experience with blog and online publication posts about their unique events. Lynn uses Google the day after an event to track what’s being said and connect to those contributing to the buzz. Influentially writers get added to her media list.

Print Advertising

Blackout Productions has paid for some print advertisement with publications like 6 Degrees, but Lynn doesn’t think there’s a lot of value to the print promotions. However, in many cases, these outlets provide additional promotions through their website, Facebook pages, email lists, etc. that Lynn does think have a lot of value and reach. Summation – it’s OK to pay for print if it gains access to a big online presence. (Sounds like print publications are selling the wrong thing)

Television and Radio

Lynn hasn’t used paid advertising on television or radio because she hasn’t felt that it was suitable for any of her events to this point.

Other Online Advertisement

Depending on the type of event, other online advertisement has proven useful, including sites like Atlanta Occasions, Atlanta Bridal, and Access Atlanta.

Blackout Productions

Blackout Productions


Lynn leverages Word of Mouth through a number of viral, online tools. Facebook, Twitter, and blogs all generate content that is easily shared and email campaigns give people an easy way to forward information to friends. It’s a multi-channel world and you have to take advantage of all of the avenues available.

She is constantly looking for new tools that can increase her ability to harness word of mouth, although the challenge has been that each new technology is yet another place that she has to manage information. Keeping up with all the tools is becoming more and more of a challenge, but pays great dividends.


Social marketing tools like Facebook and Twitter have been great at connecting to people and keeping them informed about upcoming events, leading to “butts in seats.” The only monetary cost is related to the paid ads she posts on Facebook for bridal events – generally a few hundred dollars – and isn’t that significant .

However, there is a significant time-cost promoting with these tools, which takes away from time she could spend on “creating a better event or spending more time on event design or cultivating new business.” Time is money.

“It’s a lot of repetitive work. It’s the same thing over and over again for each site and it’s time consuming and it’s boring and it drives me nuts.”


Lynn has been fortunate enough to find vendors that she can trust when putting together events. Knowing her partners are reliable reduces the number of things she needs to worry about and helps simplify the number of spinning plates she has to manage.

One of Lynn’s biggest challenges is managing all of the avenues of social media marketing. Updating websites, Facebook, Twitter, etc takes a lot of time (although I did recommend she look into solutions like Tweetdeck to consolidation her efforts a little). One thing she does to simplify this some is integrating her Facebook status updates with her tweets.

For RSVP’s, Blackout Productions and Lilly White Events use a dedicated email account designed for responses and then checks people off at the door as they arrive. They also track people that show up off the street and use that as an opportunity to capture new email addresses.

Email campaigns are managed through GoDaddy, but she is not completely happy with them as a solution (it’s not very user friendly). She has also tried Constant Contact, but didn’t like it either.

Blackout Productions Event

Blackout Productions Event


Lynn is a big numbers person. One example involves monitoring the ratio of received RSVP’s to the number that actually shows up. This provides her with statistical information so she knows how many people to expect based on responses – categorized not only by the type of event, but by factors like weather (if it rains, how will that effect turnout) and the day of the week. When a client says they want 1,000 people to show up, she knows how many RSVP’s she needs to secure based on this information.

That method is great if you focus solely on head count, but for organizations like restaurants, bars, clubs and lounges, it’s all about the bottom line. For these clients, Lynn looks to other tools, such as POS systems. For Whiskey Park at the W Midtown Atlanta, she’ll look at bar sells by hour as well as a break down of what drinks are being ordered – especially important when she partners with a liquor company.

The numbers are there and, by analyzing them, lessons are learned about how to make every event more successful than the last. Additionally, by following trends, Lynn is able to provide clients with proof that their efforts are paying off as well as give them insights about their patrons’ behavior.

Closing Words

Promotions that get noticed by Blackout Productions

Promotions that get noticed by Blackout Productions

The biggest challenge is promotions. It’s difficult to reach the right audience and takes a lot of hard work – you have to be creative and keep up with the latest tools. In all of your efforts, you also have to have the right team that is driven and represents your brand well. Finally, always measure your metrics.

Upcoming Events

Friday, December 18. Winter Wonderland event at Whiskey Park to benefit Toys for Tots and co-sponsored by Van Gogh Blue Vodka. What’s not to love – Van Gogh Blue Sno Cones, a gelato bar, and midnight lingerie fashion show by LiviRae Lingerie.

August 2010. Atlanta Food Rave. A huge culinary event that is still under wraps, but will feature a number of Atlanta’s top chefs.

Shout Outs

Connect with Lynn Lilly, Blackout Productions and Lilly White

Blackout Production (map)
15 Lenox Pointe NE
Suite C
Atlanta, GA 30324


Lynn has been planning events for non-profits since high school. This continued through both her sorority and student government when she attended Auburn University – sophomore year, she planned the biggest fundraiser on campus, raising $40,000 for breast cancer research in one night. As a junior and senior, she was responsible for handling 3 events and PR for the Student Government Association.

After college, she went into advertising and marketing in Atlanta while networking every night of the week. This allowed her to build connections that led to her first event – promoting Ludacris’ Straits Restaurant in Midtown Atlanta. Blackout Productions has been growing ever since. Some of her honors include:

  • Featured in 6 Degrees magazine
  • Trendy Atlanta wrote about her as an up and coming young entrepreneur
  • Her work with Lilly White Events led to her being listed in CRAVE Atlanta‘s first book as one of Atlanta’s top 100 young entrepreneuress that you have to know
  • Lilly White was selected as a sponsor and the event planner for Save A Smile’s Atlanta Holiday House

DJ Rodd Summers – Ambience Amplifier

On the 1's and 2's at Top Flr

On the 1's and 2's at Top Flr

Like hipsters without ironic t-shirts or sundaes without Reddi-Wip topping, a great night out just isn’t complete without the right music. DJ Rodd Summers has spent over 15 years creating the soundtracks that keep heads bobbing while conversations flow.

I met Rodd at Danneman’s coffee shop in Atlanta’s Old Fourth Ward neighborhood to talk about his experiences and see what insights he might have to offer the DJ’s and other organizations in the Community. Below is the summary, but you’re missing out if you don’t listen to 24-minute interview in its entirety

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Rodd is a people person… and I mean he is really a people person. It seems like every time I go out, he’s there and knows everyone. If he doesn’t know someone, he’ll chat them up before the night is out. That’s how he promotes – he gets to know people and lets them know where he’s spinning … face to face.

Recently, he’s been sending out event announcements through Facebook, which has had some success, but emails and text messages are out. He’s found that people just get tired of receiving them. He’s also been considering using a publicist that can help him get the word out more effectively, but this is in its early stages.


Rodd relies on word of mouth. He tells people where he is spinning, they tell and bring their friends and the intrinsic viral nature of Facebook helps the message spread digitally.


There seem to be two type of DJ’s – those that are centerpieces and those, like Rodd,  that become an integrated part of a venue’s overall experience. The same way a wine is selected to complement a meal or lighting is used to set the right mood, Rodd designs his sets to fit the atmosphere, with a big emphasis on Soul, Funk, and Jazz. When talking about his Friday and Saturday sessions at the Drink Shop in the W downtown, he says he “designs songs around the cocktails” which is what the Drink Shop is all about.

The venues that he chooses can be classified as the urban lounge scene. The demographics vary, but are generally professionals from the mid-20′s and up, people that are looking for the stage to be set to socialize. He describes his audience as people that like “intelligent music” they can listen to while chilling with friends – perfect lounge scene philosophy.


The game plan for connecting to his audience is simple:

  • Get to know people on a personal level and keep them informed about where you are spinning.
  • Have a consistent schedule so your audience knows what nights you will be performing at specific venues.
  • Connect to them by delivering the right sound for the atmosphere.


Rodd’s model for enticement is also simple – provide the sounds that help make people’s nights out perfect by amplifying the overall vibe of the venue. He places a priority on taking the pulse of the room throughout the night so he can mesh his music with the ebb and flow of the crowd.


While he started off spinning vinyl (records), Rodd has now moved on to using CD’s which makes queuing up songs faster and greatly reduces the bulk of what he has to bring to a gig. He also has his eye on incorporating a Mac that would allow him to bring 50,000 songs to a gig versus maybe a few thousand on CD. It would also allow him to use newer tools like Ableton Live, Traktor DJ, and Serato.

Regarding the debate over vinyl versus newer technology, Rodd says, “it’s not about what you use, it’s about the music you play… that’s it.”


Success is measured by the number of butts in seats, however Rodd makes a point to mention that venues need to be patient on growing their audience with a new, weekly DJ. In the same way that changing your entire menu produces results over time – as people learn about the update – a new DJ takes time to build an audience for their nights.

Final Words of Advice

Go out and meet people and talk about the music you are passionate about. Invite people out personally.

Upcoming Events

Top Flr – 9PM until.
Mid-town chill with Jazz, Soul and Funk
674 Myrtle St View Map
Atlanta, GA 30308

Whiskey Blue @ The W – Buckhead – 10PM until.
Indie pop that you won’t hear on the radio
3377 Peachtree Rd. NE View Map
Atlanta, GA 30326

Fridays and Saturdays
The Drink Shop @ the W – Downtown Atlanta – 9PM until
Funk, Soul, electronic, with a heavy emphasis on Jazz
45 Ivan Allen Jr. Boulevard View Map
Atlanta, GA 30308

Connect with Rodd Summers



Shout Outs

Here are some of the people Rodd has worked with that stand out as being awesome in Atlanta


Listen to the entire interview to hear more a lot more, including:

  • How to start out as a DJ
  • How to find gigs
  • How to get compensated
  • What to look out for